Petrit Halilaj At The Tate St. Ives

PETRIT HALILAJ:
Very volcanic over this green feather

Until 16 January 2022
For public information call +44(0)20 7887 8888, visit tate.org.uk or follow @Tate #PetritHalilaj
Supported by the Petrit Halilaj Exhibition Supporters Circle and Tate Members
Tate St Ives presents Very volcanic over this green feather, a major new installation by Petrit Halilaj (b.1986 in Kostërrc, Kosovo) for his first solo exhibition in the UK. Halilaj is internationally recognised for his expansive artworks, often using his own biography as point of departure to reflect on private and collective histories in constant transformation. Deeply connected to Kosovo’s recent history, he frequently incorporates materials from his native country and re-elaborates them through installation, performance, textiles, drawing and video. Halilaj’s work explores issues related to individual memory and cultural identity.

This exhibition at Tate St Ives stems from Halilaj’s own personal story, while also bringing forward the collective trauma of the Kosovar Albanian people and other survivors of conflict. Displaced by the Kosovo War (1998–9) as a thirteen-year-old, Halilaj and his family lived at the Kukës II and Lezhe-Shengjin refugee camps in Albania in 1999. For this exhibition, Halilaj presents a poignant new installation reimagining a collection of felt-tip drawings he made as a child at Kukës II.

The original pictures were created under the guidance of Italian psychologist Giacomo ‘Angelo’ Poli, who was taking part in a humanitarian mission at the refugee camp. Poli supported the children in communicating their experiences through drawing, encouraging them to document the destruction they had experienced but also to imagine ideal, fantasy worlds for the future as a tool to escape the present. In a period of 15 days, Halilaj created 38 drawings, all of which have been preserved by Poli until today. After Poli’s departure, Halilaj continued to create drawings of his experiences, one of which he showed to Kofi Annan, then Secretary General of the United Nations, when he visited Albania.

Since 1999, Poli has become a close friend and supporter of Halilaj, who is now an established artist based in Berlin. In 2021 Halilaj revisited the original pictures he made with Poli for the first time in over two decades. Informed by those conversations, Halilaj has created an immersive environment within Tate St Ives’s largest gallery, magnifying and reconstituting fragments from the original drawings on a grand scale to reflect on personal and collective memories. Fusing the atrocities he witnessed with his birds and fantastical visions, the exhibition presents a powerful meditation on conflict, hope and memory.

An adjoining gallery space offers additional information about the Kosovo War and the political and social contexts which continue to impact the country and Kosovar society. This gallery also features materials, videos and photographs from Halilaj and Poli’s archives.

Speaking about the exhibition Petrit Halilaj said: "When memories emerge from the past they do it in fragments, and our imagination of the future operates in a similar way. If our dream of the future has a fragmentary nature too, then this exhibition can be seen as a small star in a constellation that forms the collective imagination about the world-to-come — a world that is able to look at the future with radical hope, but also with deep roots in its history.”

Petrit Halilaj: Very volcanic over this green feather is curated by Anne Barlow, Director of Tate St Ives, with Giles Jackson, Assistant Curator.