SLASH - "Orgy Of The Damned" Out Today

SLASH the iconic, GRAMMY®-winning guitarist and songwriter has released his highly anticipated sixth solo album titled Orgy of the Damned today, May 17 on Gibson Records HERE. SLASH’s Orgy of the Damned is now available worldwide digitally, and on vinyl and CD. 

 

Today, Friday, May 17, SLASH has also revealed the third single and a new video for “Papa Was A Rolling Stone” featuring Demi Lovato’s powerhouse vocals. Watch/share the “Papa Was A Rolling Stone” video which portrays Demi Lovato, SLASH and his blues band Johnny Griparic (bass), Teddy ‘ZigZag’ Andreadis (keyboards), Michael Jerome (drums), and Tash Neal (vocals/guitar) recording the song in the studio fused with historical footage and a 70s raw energy and vibe befitting the song HERE.


A vibrant homage to the blues, SLASH’s star-studded blues album and sixth solo album of his career overall, Orgy of the Damned is a collection of 12 dynamic songs that revitalize the blues with a stripped-down approach. Celebrating both well-known and largely undiscovered songs, SLASH offers a nostalgic nod to the past while reinvigorating the songs with his inimitable guitar playing and the spirit of collaboration. On Orgy of the Damned, the acclaimed guitarist reteamed with storied producer Mike Clink and enlisted the album’s diverse guest vocalists, which include Gary Clark Jr., Billy F. Gibbons, Chris Stapleton, Dorothy, Iggy Pop, Paul Rodgers, Demi Lovato, Brian Johnson, Tash Neal, Chris Robinson, and Beth Hart. Rounding out his blues band in the studio and on the road, SLASH reunited with two of his bandmates from his Blues Ball outfit in the 90s, bassist Johnny Griparic and keyboardist Teddy ‘ZigZag’ Andreadis, and brought on drummer Michael Jerome and singer/guitarist Tash Neal.

 

On Orgy of the Damned, everything was played live in the room, with an emphasis on improvisationwhich resulted in a collection of energized songs that are vital and raw. Highlights include “Oh Well” with outlaw country star Chris Stapleton’s gritty vocals on the beloved early Peter Green/Fleetwood Mac tune, listen HERE, and the Howlin’ Wolf-penned first single “Killing Floor” an electrifying collaboration with Brian Johnson of AC/DC on vocals, and Steven Tyler of Aerosmith on harmonica, listen HERE. “Hoochie Coochie Man,”--written by Willie Dixon and made famous by Muddy Waters--showcases the album’s the in-the-moment nature and unrestrained energy with Z.Z. Top’s Billy F. Gibbons stepping in on guitar and vocals, Gary Clark Jr. joins in for a rowdy take on Robert Johnson’s “Crossroads,” and Beth Hart stuns on the twanging and soulful rendition of T. Bone Walker’s “Stormy Monday.” Some of the songs, like Steppenwolf’s “The Pusher,” Charlie Segar’s “Key to the Highway,” and Albert King’s “Born Under a Bad Sign,” had been performed by Slash’s Blues Ball, while others, like Stevie Wonder’s “Living for the City,” were long-time favorites for SLASH.  

Pav Salgado